IMAGE CREDITS

Installation view: Sonia Falcone. Campo de Color (detail), 2012/15. Various pigments, spices, and clay saucers. Courtesy of the artist and Salar Galería de Arte, La Paz, Bolivia. Photo: Joshua Mathews.

Installation view: Lauren Fensterstock. Colorless Field (Marsh), 2014. Paper, charcoal, and Plexiglas. Courtesy of the artist and Sienna Patti Contemporary. Photo: Brittany Hathaway

Tromarama. Psilocybin from the series Adoption (still), 2010. Animation. Courtesy of the artist.

Detail from Shintaro Miyake Presents Beaver No Seikatsu. C-print. Courtesy of the artist and Tomio Koyama Gallery, Tokyo. Photo: Justin Knapp.

Gastón Ugalde. Untitled from Series #78 (detail), 2018. Archival Inkjet Print. Courtesy of the artist.

Installation view: Yujin Lee. I See You, 2017. Pencil and charcoal on plywood. Courtesy of the artist. Photo: Luke Wunsch-Edwards.

Jim Lambie. Plaza, 2005/2015. Plastic bags and latex paint. Courtesy of the artist, Anton Kern Gallery, NY, and The Modern Institute LTD, Glasgow. Photo: Joshua Matthews.

Kris Graves. Jessica (detail), 2016, from the series Testament Project. Archival pigment print. Courtesy of the artist and Sasha Wolf Projects.

Mariah Robertson. 313 (detail), 2014. Chemical treatment on RA-4 paper. Courtesy of the artist and American Contemporary.

Brianna McCarthy. I Met Myself In This Sky (detail), 2014. Watercolor, ink, acrylic and gold leaf on paper. Courtesy of the artist.

Tiffany Smith. A Woman Phenomenally (detail), 2015. Archival inkjet prints and custom vinyl wallpaper. Courtesy of the artist. Photo: Eduardo L. Rivera.

Installation view: David Henderson. A History of Aviation, 2010-12. Dacrom, foam, and fiberglass. Courtesy of the artist. Photo: Julie Chen.