Wen-ti Tsen

Exhibition: GENERATIONS

Wen-ti Tsen was born in Shanghai, China to parents from two revolutionary families who overthrew the Qing Dynasty. They were rewarded with studies abroad in France, where they stayed for ten years: Tsen's father studied literature, and his mother was the first Chinese woman to graduate from the Beaux-Arts Academy. The two returned to a thriving 1920-30's Shanghai, but then war and revolution happened. Tsen's father died, and his mother later moved her family to France. He grew up in Paris and London. In 1956, he began studying art in Florence and London. Later, he arrived to the U.S. to study at the The School of the Museum of Fine Arts in Tufts University. Upon graduating, he received a traveling fellowship and traveled for two years: by car from Paris to Karachi, and in Sri Lanka, Egypt, and Europe, painting and taking in the world.  

Returning to the U.S., with an oncoming Vietnam War, he became passionately involved with applying art to understanding colonialism, racial, and class inequalities. A teaching job let him live for three years in Beirut, which further deepened his awareness of global inequity. Upon returning to the U.S., he continued to make art that addressed social and class issues. He was committed to making a living as a union worker, first as a billboard painter, then, for thirty years, as a movie projectionist — a wage-earner in the flux of society's economics.  

As time moved on, and political affinities splintered, Tsen drifted more and more into making art on Asian American issues, and those that dealt with working people's lives.

Colophon

The MAAM site is set in MAAM Sans drawn by Nick Sherman (MassArt ’06), Beatrice by Sharp Type, and Stellar by Pangram Pangram.

The site was designed by MassArt alumnæ at Moth Design, written by 43,000 Feet, and developed by pod consulting.

“Our People” shot by Dolphin Photography.