Masako Miki: Midnight March is an experiential world populated by semi-abstracted felted wool sculptures set within a galaxy. Referencing nature, Japanese yōkai (supernatural beings), and Shintoism, Miki creates new mythologies that reflect the complexity of multicultural identities and worlds.

Press & Pull: Two Decades at the Robert Blackburn Printmaking Workshop traces the Workshop’s early foundations, culture of innovation, and ongoing role as a hub for mentorship and collaboration.

MAAM unveils a new lobby installation by Baseera Khan. Titled Where We Come From, the show features a large, fractured column wrapped in Kashmiri silk alongside six hand-worked prayer rugs that merge devotional imagery with the visual language of protest. Utilizing color, material, and form as their tools, Khan refuses the promise of fixed or monumental structures. Together, the works propose futurity as an ongoing process of revision, agency, and collective reimagining.